Posted in SHOFT on Sunday 13th March 2011 at 11:03pm
I received an email a few days back suggesting that I was neglecting my local music scene in favour of events much further away. It wasn't that polite, but you get the picture. I replied as I have before, that when things locally began to move away from the years of dull pub rock and tribute bands which seem to stifle any kind of genuine creative spirit I'd happily cover them. I also suggested that when promoters here realised that local support for national touring bands was a means of exposing talent to new audiences, that too would be a positive thing. So at first, tonight looked like a 'told you so' moment - yes Admiral Fallow have trodden the southbound path from Glasgow - but we had local support acts didn't we?
Well, kind of.... Lonely Tourist is an expat-Glaswegian now based in Bristol. He takes the stage cutting a rather slight and nervous figure in a check shirt, and with a near apologetic introduction. It's just him and an acoustic guitar slung high on his chest, and the audience don't seem greatly interested in the bar at the back of the room - welcome to Bristol. Then however, he starts to play - the rapid, cowboy-style strum of the busker. His voices soars above the chatter and things get interesting. A gradual drift begins, and by the end of his closing number there are plenty of people watching and listening. Whatever this is, it's probably not folk music of either the new or old variety. Lonely Tourist offers a sort of edgy, acoustic pop with wonderfully self-deprecating lyrics which dodge bitterness in favour of humour. His patter - which he assures us he "left at home" - is muted, restricted to plugging his newly released CD. Recent single "Patron Saint Procrastinate" - on record a sparkling almost country-pop gem - is delivered as a sparse high-speed strum, with Lonely Tourist's voice by far the most important instrument - clear and melodious when he sings, gruff and impenetrable when he speaks between songs. I caught the lyrics of "Delighted" - a tale of skirting the edge of the music industry and watching people become successful - and thought back to my email. I suppose Lonely Tourist is technically local now? I don't think he'll be on the edge of things for long with songs this strong. One to watch for sure, and his debut album can be obtained from Bandcamp.
Port Erin however, were an odd choice to throw into tonight's mix. A three-piece from Wiltshire, who listen to a lot of classic rock music I'm sure. Technically, all three of them showed enormous skill as musicians - with a special word for the sinuous and fluid bass. However, I'm not sure what it added up to? The songs, often perhaps a little over-long, moved from crashing, angry grunge-fests to oddly unnerving Dire Straits play reggae numbers. It was all just confusing, and sandwiched between tonight's other acts it just felt strangely out of place. Like all support bands, they'd brought along their cheerleaders who lounged laconically around the venue during the other bands, but leapt up to support their heroes. It's probably a good thing they did, because I fear quite a few of the rest of the audience just didn't get Port Erin. I stress that this band isn't bad - far from it, they are technically proficient, the vocalist has an engaging falsetto and the drummer is a tiny ball of thunderous energy. But it felt like they'd just discovered Dad's record collection. In another situation, perhaps things would have been different?
At last I get to see Admiral Fallow! Having been elsewhere - annoyingly north of the border I think - for both their previous Bristol shows, I felt like I had some catching up to do tonight. Having been an early adopter of their frankly amazing "Boots Met My Face" album last year, it was fantastic to see it being released more widely - even if this tour to support it had been somewhat dwarfed in significance by their invitation to SXSW. In fact, tonight's performance was the last date before the band jetted off to Texas to join a host of other Scottish musicians. Taking the stage to music which sounded suspiciously like incidental music from Highlander the band opened with the gentle "Delivered". This was the first time the entire band, including the drummer had played in Bristol - and the sound was full and rich - credit indeed to their soundman who had coaxed a surprising depth out of the sometimes rather acoustically dull box of The Cooler. With the audience spellbound, there was no pause at all as the band errupted into "These Barren Years". There was dancing. Not me of course - never. But, in a move seen rarely with cool, Bristolian audiences, there was visible movement at the front of the venue! The set was formed from much of the triumphant album, but a couple of new compositions featured too - they were notable for feeling a little tougher and angrier, with the lyrics interestingly moving from the reminiscence and introspection of "Boots Met My Face" to a wider view of the world. Notably Louis Abbott and Sarah Hayes seemed to take a somewhat more balanced share of the vocals. A set highlight though was "Four Bulbs" - here, the instruments were laid down and the microphones switched off. The band formed a choir around Louis and his acoustic guitar and delivered the song note-perfect, it's aching beauty intact even here in a slightly grimy Bristol nightclub. The audience responded rapturously inspiring a storming, triumphant "Squealing Pigs" before the band left the stage. The encore consisted of a solo Louis covering Elbow's "Switching Off" - the influence clear in this gentle, affecting delivery - before a final and life-affirming romp through "Old Balloons", the song which probably persuaded me here in the first place.
Encouragingly, the Bristol audience already knew Admiral Fallow were destined for big things - the support slot with Frightened Rabbit likely having confirmed this was something special. They left the stage, almost directly heading to the USA with the genuine warmth of the often tricky Bristol audience ringing in their ears. It had been a special night for a couple of very special bands. And it was sort of local, I suppose...
I've had a home on the web for more years than I care to remember, and a few kind souls persuade me it's worth persisting with keeping it updated. This current incarnation of the site is centred around the blog posts which began back in 1999 as 'the daylog' and continued through my travels and tribulations during the following years.
I don't get out and about nearly as much these days, but I do try to record significant events and trips for posterity. You may also have arrived here by following the trail to my former music blog Songs Heard On Fast Trains. That content is preserved here too.