Posted in London on Saturday 2nd September 2017 at 10:09pm
Despite my careful attempts to end the last leg of my walk somewhere I could easily pick up the threads, my arrival at Forest Hill had been a little fraught. With rail services not calling today due to planned engineering works I'd somehow entirely missed, I'd headed instead to Catford via a departure from the impressively extended and modernised Blackfriars station. While there, my bank card had been rejected by the ATM leaving me in a state of mild confusion and paranoia. I didn't even notice how bright the morning sun had turned as I headed for the bus stop near Catford Station and hopped on board. Not until I'd had managed a successful transaction at Forest Hill Sainsbury's was I assured that there hadn't been some sort of financial mishap. These things always bother me - and the prospect of a conversation with my bank instead of walking this morning wasn't edifying at all. As I stepped back out into the bustle of surprisingly gentrified Forest Hill I sighed with relief. Perhaps I was ready for this after all? Completing the circle seemed impossibly far off - but it had become something of a cause now. This leg of the trip would take me into areas I simply didn't know, and which I couldn't connect with any of my other wanders at all. That in itself felt strange - so many of the unexpected pleasures of the last few walks around the Circular Roads were in turning unknown corners to find familiar views from new angles. This was a different excursion - deep into the suburbs, in almost the opposite direction to that in which I comfortably tend to turn. I dodged sturdy designer prams and expensive bikes to gain the outer edge of the pavement in order to get an angle on the sign of 'Ferfect Fried Chicken' - this legendary local eatery was allegedly unprepared to pay to use the existing name when the shop was purchased from a group of franchises, and so a surprising accurately matched 'F' was tiled over the sign. The fact it makes absolutely no sense appears to have troubled no-one, and so in the midst of the rapidly upscaling Forest Hill townscape, opposite the rather fine old 1920s Capitol Theatre turned Wetherspoons, the errant chicken purveyor remains. This felt like the perfect place to begin walking. The beginning of the end of the South Circular...
As I climbed away from Forest Hill, still surprised by the upturn in its fortunes in comparatively recent times, I saw the tower of the Horniman Museum appearing at the crest of the hill amidst a cluster of greenery. Charles Harrison Townsend's curious 1901 design fuses Arts and Crafts decoration with a rather foresighted and clean lined modernism, making for an odd but pleasing building, sitting almost at the brow of Forest Hill. The museum itself houses Frederick Horniman's extensive collection of curiosities, purchased with the proceeds of his inherited tea trading empire. The collection majors on cultural and anthropological history, and has a legendary collection of taxidermy and musical instruments. There was no time to check out what sounded like a charmingly odd expression of one man's passion for collecting today, instead I slipped into the surprisingly capacious gardens beside the museum to find a spot to apply sunscreen and chug cold water before setting off in earnest. I found the rather beautiful grounds of the museum busy with locals out for a stroll and families working on what appeared to be an edible garden project. The pathways curled around the site, luring me deeper into the wooded nooks. The temptation to explore further was strong, especially because the northern edge of the site offers impressive views over London from the comparatively high ground of the hill. Instead I set off west, crossing the former trackbed of the London Brighton & South Coast Railway's branch to Crystal Palace High Level. Much of the railway can now be walked as part of a nature trail running between the suburban streets, and which after crossing the South Circular, climbs into the woods of Sydenham Hill. Having never recovered traffic following the destruction of the Crystal Palace by fire on 30th November 1936, the line limped on until 1954. It has the dubious distinction of being the first electrified mainline railway line to close in London. Now it's a barely discernable hump in the road, the path disappearing into the Lapse Wood Walk housing estate where some remains of the line can be spotted by the eagle-eyed.
I had only the vaguest idea of Dulwich. Somehow I'd cobbled together an idea of the place through the oddest disconnected parts: Margaret Thatcher, the Picture Gallery, the exclusive, private college which produced the odious Nigel Farage. While all these things form part of this curious place, there is something stranger at work here. Dulwich, despite being sandwiched between areas not far away which are challenged and struggling, is an incredibly genteel neighbourhood. The green, wooded slopes of Sydenham Hill rise high above the broad playing fields of Dulwich College, home to the Old Alleynians - named for Edward Alleyn, actor and founder in 1619 of 'God's Gift College'. Beyond them, the almost impossibly tall transmitter tower at Crystal Palace strikes the skyline. Snaking around the edge of the sports ground is Hambledon Place, a gated community of large modern dwellings, perhaps surprisingly built by Barratt Homes, in the style of the large mansion houses which line the other side of the South Circular in Dulwich. Behind these gates, a battle-scarred Margaret Thatcher briefly reflected on her ousting from Downing Street. She had taken her husband's advice and purchased a bolt-hole to which she could escape when her increasingly inevitable downfall occurred, and the proximity to a good golf course bears his influence too perhaps? Dennis is reputed to have suggested she could wander down to the village with her basket to shop, and then a car could pick her up and take her to the Lords for a vote, which perhaps suggests more about Dulwich than it does the Thatchers. In the event, Margaret and Dennis didn't spend a great deal of time in Dulwich before their repair to Belgravia, and the local association with them is perhaps unwarranted. I lingered on the corner trying to decide if I could poke my camera through the automated gates, festooned with cameras and electronics. As I decided, a large, sparklingly clean Landrover cruised up to the gates, the driver a middle-aged Indian man wearing shades and the garb of a country gent out for the shoot. "What are you doing here? Why don't you fuck off?" - there was no pause for a response between his two plainly rhetorical questions. I silently did as I was told, cursing my failure to defend my ground on the public highway outside the gates. There was something in his response which typified Dulwich too. As I've walked the Circular roads, I've encountered a surprising number of clandestinely privatised places: edgeland strips of littered scrub protected by a forest of cameras, retail parks under constant surveillance, gated communities like Hambledon Park. But there is a more sinister edge here in the affluent south. There are areas where a tyranny of manners guards access - where you might 'look' wrong and the fear of being asked what on earth you think you're doing here guards against intrusion. Perhaps only in Britain - maybe only in London - could this work so effectively to repel the unwanted? I definitely felt that I wasn't required here in Dulwich, and as I hurried along the perimeter of the college, its beautiful gothic buildings largely concealed by scaffolding as it was buffed and repaired for another lucrative school year, I was acutely aware of the this entire area being carefully managed. The Dulwich Estate centres on the various schools and colleges, and its long and complex history records generations of very smart investment, clever capitalisation of legacies and maximisation of income. Indeed the estate still operates the only remaining toll road in London, though this most traditional but financially savvy of institutions does allow locals to pay via an electronic tag. The rigorous preservation of a certain kind of English village life, coupled with an astute sense of being an island within a vast city makes Dulwich feel self-aware, a little apart, overtly stage-managed. I wasn't sad to pass over the boundary.
The transition from Dulwich to Tulse Hill was however, something of a jolt - the quaint wooden fingerposts and crimped lawns of the Dulwich Estate gave way to the well graffitied and apparently disused Variable Message Signs which were about the only hint of the strategic importance of the South Circular. A few stray flags on lampposts urged me to 'Love West Dulwich' - an area which appeared to consist entirely of an attractive if rather sparsely used railway station and a tricky to navigate crossroads with the route to Herne Hill. The quiet suburban area clung to its eastern and more affluent neighbour desperately. There really isn't any West Dulwich aside from the railway - but they're trying really hard to believe there could be. A low bridge where sleek, new Thameslink trains passed overhead marked the boundary, and yet another badly thought-out gyratory spun the road around the Victorian centre of Tulse Hill. It struck me here that the most problematic spots on the South Circular were often where well-meaning attempts to improve traffic flow had been implemented. This area was largely undeveloped until the early 19th century, and only really became populous after the railway arrived in 1868 when the difficult geography and the straggling forested remnants of the once extensive Great North Wood finally gave way to a district of rather plain and functional terraces. The last thing I expected to detain me on this leg of the walk was surprising architecture - but descending from the heights of Tulse Hill, the South Circular curves along the edge of the Palace Road Estate. This early 1970s low rise development was built by the Greater London Council and designed by their chief architect, Sir Roger Walters. His modern but subdued buildings snake along the awkward rise beside the road in attractive zig-zagging blocks which lengthen towards the western boundary of the site. His work for the GLC is remarkably distinguished if somewhat unsung, with the Thames Barrier and the rejuvenated Covent Garden bearing his signature. He is perhaps less well known for Perronet House at Elephant and Castle, a modern social housing block dating from 1970 which uses unusual design features to give all residents an aspect at both sides of the building, uninterrupted by external communal corridors. Wikipedia, ever resourceful, reminds us not to confuse him with Roger Waters. We won't, I'm sure. As the road headed further down Streatham Hill towards Clapham, an equally curious building rose steadily above the brow. First a curious pyramid appeared, then a tall, striated brick tower and finally a squat and solidly modern looking church beneath. Christ Church by James William Wild in fact dates from 1841, and is a truly remarkable building. While now essentially an inclusive and suburban outpost of the Anglican Communion with its extensive estate of dull urban churches, this building appears to belong in another time. Meanwhile its patterned brickwork and Star of David rose window seem to come from another continent entirely. After delivering a number of solid but unremarkable parish churches in Hampshire, Wild travelled extensively in Egypt and the Middle East. A period of mysterious inactivity followed his return to Britain, after which he worked on the complex of museums in South Kensington and their outpost at Bethnal Green, now the Museum of Childhood. Perhaps the building that owes most to Christ Church though is his Italianate water tower at Grimsby Docks. The church is an arresting sight in the slightly mundane surroundings of this part of the road - a welcome relief from the suburban monotony of the hinterland separating the boroughs of Lambeth and Wandsworth.
Shortly after Christ Church, the South Circular crosses the A23 on its long trek to Brighton. From here, for just a short section, the road is a broad six-lane dual carriageway. Oddly, this is also one of the quieter sections with most traffic apparently content to head along the radial roads into London or out to the suburbs and the coast. The South Circular soon returns to its ponderous, pottering single-carriageway meander into Clapham, through pleasant terraces and bursts of more recent development. It strikes me that this part of the route must be more affluent - there is a Tesco Metro or Sainsbury's Local on almost every major junction, something distinctly lacking in the eastern quadrant. I'm also aware that I'm starting to head north towards the river, having passed the most southerly point of the road's curve some way back. The arc of the South Circular is shallower than its northern counterpart, returning to the Thames much closer to the West End, and stretching out an arm along the river to the western suburbs. Now though, the road arrived rather unexpectedly at Clapham Common. The junction was busy with traffic from all angles, and crossing was difficult - but sure enough, tucked away between the branches of the road was the squat cylindrical tower which signified the shaft leading to one of the Deep Level Shelters. This network of extremely deep and well-protected tunnels were built when the public demand for shelter from the blitz began to overwhelm capacity around the city. The tunnels echoed stations on the Northern and Central Lines, with the intention that they would be linked together to form an express tube network in peace time. Progress on the building was slow due to wartime labour shortages, and by their completion in 1942 the intensive bombing had largely subsided and demand for shelter had reduced. The Goodge Street shelter became General Eisenhower's wartime base, and other stations hosted troops in transit, but the tunnels were hardly used for their original purpose if at all. They also failed to live up to their intended post war use as new Tube lines, but almost all of the tunnels have found a peacetime role: as document stores, telephone exchanges or even for a brief period during the 1951 Festival of Britain, a hotel. Now however, the rather sorry looking Clapham Common entrance is overlooked by a line of very fashionable eateries and bars stretching along the edge of the common. I knew this area was becoming more desirable and the demographic changing, but to see it in such a sudden burst of activity after the resolutely suburban progress of the South Circular was a shock indeed. But perhaps it shouldn't have been a surprise - Clapham has been fashionable since its earliest development as a suburb, with the spacious villas surrounding the Common providing homes for the 'Clapham Sect' - an informal but influential group of evangelical Anglicans numbering among them William Wilberforce and Henry Thornton. The atmosphere of intellectual and religious freedom which was enjoyed by the 'saints' as they were known, saw them wandering the common between their homes to discuss matters of social and liturgical importance. It was among these houses where the rigorous parliamentary campaigning was plotted which led to the abolition of slavery throughout the British Empire by 1807 and the later emancipation of all slaves in 1833. I followed my route around the smaller, western extension of the common, realising that I would actually lose the A205 briefly for a few miles here as it shared a route with the A3 on its western journey to Portsmouth. The South Circular was now firmly in brackets on the signs - an indignity which its northern cousin never quite succumbed to. It was hard to imagine members of the sect scurrying across this busy swirl of traffic, eager to impart their ideas on freedom and faith to each other.
The road passed swiftly through the busy crossroads of Battersea with its lines of tall, red-brick shops snaking away north towards the railway, and then crossed the northern edge of Wandsworth Common. The Common, though still a large tract of open land even now is divided by a griddle of railways and roads, with a neat arrangement of grand Victorian villas known as the 'toast rack' eating into its western edge. I strayed from the road briefly along Spencer Park to find the memorial to those who perished in the Clapham Junction rail crash in 1989. The simple curved stone commemorates both the 35 victims of the crash, and those who worked to help them on the morning of 12th December 1988 when a simple but ultimately catastrophic signal failure resulted in a collision involving four trains in the deep cutting below Spencer Park. Some of the first on the scene were staff and pupils from the nearby Emmanuel School, and as I contemplated the difficulty of clambering over the palisade fencing and down the steep bank to the railway to offer aid, some of the current pupils passed by heading back from sports practice. It was hard to imagine these young people, full of chatter and innocence, having to deal with some of the horrors that day. The carving on the stone shows a hand grasping another from above, which felt perfect for this memorial. The safety culture of British Rail was changed greatly by the crash, but just a few years later the privatised railway would need to relearn some of these lessons all over again in other parts of London. As it stands, the railway in the UK is now possibly one of the safest in the world - but it felt cruel and tragic that this incident and others like it were the necessary catalyst for this change.
Soon after passing Spencer Park, the road crossed the rather grander A214 - one of the few completed relics of a scheme to connect two of the unbuilt and much maligned London Ringways, which would have included a rather steep, ski-jump of a flyover if fully realised. Ploughing south from the infamous Wandsworth Roundabout, the road is a broad dual-carriageway in a deep concrete cutting which gouges deep into the Common. Rising again to the south, the road is a broad, urban arterial with a tree-lined median - and is perhaps one of the best indicators for what the road network of London could have looked like had the Abercrombie plan or even the GLCs later revisions come to fruition. As it is, the A214 soon becomes a fairly mundane suburban route out to Crystal Palace and West Wickham, leaving this section in Wandsworth a somewhat over-engineered and marooned hint of what could have been. The A3 and South Circular continued west in combination, descending into the valley of the River Wandle which the road crosses in Wandsworth Town Centre. My only vague knowledge this area was from frequent travels on the railways which pass largely beneath the town, and I was a little surprised by Wandsworth. The eastern approaches pass the impressive Town Hall which still provides a civic centre for the Borough. A wedding was taking place in the inner courtyard, perfectly framed by the Portland stone entrance which faces the street. Along the wings of the triangular building, stone reliefs depict scenes from local history above manicured lawns and pristinely weeded flower beds. Years back, I'd stayed in a down-at-heel budget hotel a little way towards Clapham Junction and had developed an assumption from its hinterlands that Wandsworth was a grim and unprepossessing place, being swiftly encroached upon by dull riverside apartment blocks. If only I'd strayed a little further from my digs perhaps I'd have found this building and thought differently. Disappointingly there was no access to the River Wandle at present as the redevelopment of the former Ram Brewery has temporarily closed the pavement on the north side of East Hill. Behind the wooden fences a range of waterfront properties can be seen rising slowly to form the almost inevitably named 'Ram Quarter'. Wandsworth is about to change it seems - and The Ram, an inn which can trace its history back to 1550 or thereabouts, is again a central part of the story. Young's brewed their last beer here in 2006 with production subsequently moving to Charles Wells in Bedford - but the developers of the site in Wandsworth have committed to the presence of a 'nanobrewery' in the former laboratory building to continue the tradition. For now though, the northern side of the street was off limits, the old Inn's frontage disappearing behind hoardings to rise again as a protected feature of the site. Forced to cross the street I noted that the river disappears under the Southside Shopping Mall here surfacing some way south, and as I strolled through the reeking clouds pouring from a grill in the pop-up street food market on the broad pavement covering the river, I rather wished I could see it. The Wandle is possibly the very first London river aside from the Thames which I'd learned about by way of Michael de Larrabeiti's novel The Borribles which I read as a child in the early 1980s, long before I'd ever visited the capital. The vision of a dark, confusing and unforgiving city conjured in this novel with hidden layers of meaning has perhaps never quite left me. It was also perhaps the first book which treated me like an adult, refusing to pull punches or sugarcoat disappointment, and it left a strong impression of a dirty, shifting city with curious culverts and sinister people living altogether disconnected lives in the unknown suburbs. The characters squatted in derelict houses, openly questioned authority and spent their time evading the Police. It's hard to imagine the book being published for children now - the concept of young adult fiction had re-emerged in the 1960s and the discovery that there were books other than those about the triumphs and tribulations of football teams or impossible space battles arrived with my slightly advanced reading age. It's fair to say that de Larrabeiti's work stayed with me for long years after reading it, so much so that on an expedition to Streatham Cemetery to research William Kent twenty years later, a glimpse of the River Wandle played a part in reigniting a reading and walking habit which in many ways led me to this very point, hovering above the same river. I thought back to that walk from Haydon's Road station through industrial hinterlands. It took me a good while to find the nerve to make that kind of trek, and now it was practically my modus operandi. Times changed, but the oldest of influences seemed to remain. I was disappointed not to spot the Wandle today - but knowing it flowed into the Thames nearby, and passed beneath my feet was curiously edifying.
Climbing up West Hill out of Wandsworth, I began to realise just how far I still had to go. The sun was still bearing down on me, and the long, flung out arm of the South Circular seemed endless. I was determined to reach the end of my walk today if I could. I bought more water from a Tesco nestled uncomfortably into a tiny, rather quaint corner shop building and set off again. It wasn't easy going, in part because it soon became apparent that this section was going to be relentlessly suburban and featureless. I put my head down and walked, crossing the site of Beverley Brook which was now in culvert with only an old bridge wall remaining beside the road, and skirting the wild and interesting edge of Barnes Common to the north of the road. Here the Thames, the railway and the road ran in parallel along the same flat plain, and signs frequently directed me to stations for places which were notionally on my route, but were in reality just a little way from the South Circular. The lack of importance of the road explained its largely unimproved state here in the west. There were always other routes to get to places more quickly or directly. The A205 was a bypass for nowhere. At East Putney, the Underground provided a brief distraction with an intriguing pagoda sitting in front of the brick built station entrance, while white stuccoed totems declared the station name across the broad V-shaped gap between the lines. Entirely over ground here, two fine old iron bridges pass over the road - the easternmost arm of the junction carrying the little-used curve from TfL's network to the mainline railway at Point Pleasant Junction - one of the few pieces of track in London which I haven't travelled on. Putney straggled along the road a little, the main and far more affluent centre a little to the north around the mainline railway station. Soon the road returned to suburbia. I began to seriously wonder if I would complete the walk today - my feet were tired but still game for the walk, I was hot and tired but not unexpectedly so. It was the sheer unrelenting suburbanity that was sapping my will. The suburbs of the south are different to those of the north - often more uniform, less grouped into villages defined by ancient geography. The south benefited from large swathes of common land which have been worried away at over the year to produce vast estates of visually similar homes ranked in long, straight avenues. It felt like I was walking directly across one of these. It felt never-ending.
The South Circular ploughed on through a place which might have been East Sheen or Mortlake, the main business streets of the latter having moved south, away from the river over centuries in favour of riverside dwelling opportunities. The A205 now formed the long and pleasantly prosperous High Street, traffic sluggishly navigating the side-streets, nosing into unlikely parking opportunities. At Milestone Green, the road from Mortlake Station to nearby Richmond Park crossed, and I realised an odd thing about the South Circular - in the effort to give the road a much-needed identity in the absence of an actual coherent route junctions have been 'named' like those around other major routes. However, the names appear to have little local resonance at all. The last few miles had produced numerous named 'gyratorys', 'Red Rover' and now this junction - none of which seemed to have gained any traction as a local feature or even any obvious history. The South Circular's disguise was wearing ever thinner as I approached its ending. It had one more trick up its sleeve though - up ahead, as the shopping area of East Sheen dwindled into the ubiquitous run of small offices and tyre dealers, it made its last abrupt ninety degree turn to the north. The road ahead continued, unperturbed to Richmond while I was directed to turn right for Ealing and the M4. I climbed a railway bridge and passed between Fulham and Mortlake Cemeteries on a lazily curving trajectory along the tongue of land on which Kew nestles, in a broad meander in the Thames. The National Archives were held here, beyond the perimeter of an unprepossessing and oddly sited retail park. The solid, concrete block giving an assurance of the safety of our history despite much of the collection now being digitally stored of course. A final railway crossed the road - bringing the District Line and Overground from Gunnersbury where this whole sorry enterprise had begun for me. I could smell the Thames now. Around Kew Green, the road developed a new character - artisanal stores, little bistros, gastropubs with deliberately distressed furnishings and lots of grey paintwork. It felt oddly familiar - distinctly like North London, and a jarring change from the quiet suburbs I'd just crossed. As I navigated around double-pushchairs with wheels built for off-roading, complicated families groups filling the entire width of the footway and endless pavement cyclists with no regard for humanity, the appeal of quiet suburbia began to feel stronger. Across the street, my walk had one final surprising building too - St Anne's Church, built in 1714 but much extended by the patronage of both Kings George III and William IV. The red brick and verdigris of the church winked between ancient, swaying trees as I pushed on, asking my feet to give me just another mile or so if they could. The sun escaped from cloud cover again, and the church glowed on the green. It was a curiously inspiring sight.
The arrival of the Thames was heralded by two events - a sudden cool breeze drifting from the east, and the arrival of a noisy group of over-dressed wedding-goers attempting to have their picture taken on the busy riverside path. The bridge arched gently over the silvery surface of the river, and I dodged oncoming pedestrians to get a picture looking eastwards. The wooded thicket of Oliver's Island divided the flow of pleasure craft, now largely a nature reserve but historically a toll booth for river traffic with legends of Civil War era tunnels to Strand-on-the-Green on the northern bank. I paused for a while - this wasn't quite the end of the road, but it was a significant enough milestone to make me reflect on this trip. I summoned the will to push on, tired and beginning to feel the effects of a cold which had dogged me for the last few days, but which I was determined not to succumb to. Landfall brought me to the boundary between the boroughs of Hounslow and Brentford, and the busy junction in front of the Express Tavern. The view to the east was dominated by the tall water tower of the Grand Junction Waterworks Company - now the London Museum of Water and Steam. I however, needed to turn west along the final section of the South Circular. Now the road was north of the river, it had become a busy and businesslike continuation of the North Circular at last - a four-lane dual carriageway running between dilapidated shopfronts and retail parks. It seemed comfortably familiar, and the sight of the towering glass hotels and offices around the beginning of the M4 up ahead felt almost like coming home. I picked my way around the south-eastern quadrant of Chiswick Roundabout, alongside Surrey Crescent - the remnants of a row of once rather fine houses which were largely demolished to create the flyover, opened to much ceremony and glitz in 1959 by Jayne Mansfield in a 'skin-tight crimson dress'. These slightly grubby but grand homes have survived in its shadow against the odds. I turned the corner onto Chiswick High Road and rather suddenly found myself at a familiar spot. Above me was the roadsign which I'd taken a snapshot of before heading off to walk the first section of the North Circular. I recalled the amused tourists from the nearby hotel who had sniggered at me for taking the picture, and wondered if they'd imagined I'd planned to walk all the way around the city, back to this spot? I'm not sure at that point whether I'd even quite formulated that idea fully then. Certainly, there were times - especially on this tough final leg - when I'd wondered why I set myself projects like this? When I had complete control of the rules, why would I make them harder than they needed to be? This walk had taken me into southern suburbs I'd been content to 'know' only through passing by train, areas where I felt alien and uncomfortable, where I was in many ways, lost. I'd seen places which perhaps only locals would normally regard, and then only with the tired eyes of the familiar. I'd surprised myself by finding places I'd wanted to revisit to explore, ideas for future excursions and connections back into my past reading which intrigued me. I stood beneath the sign and felt the need to celebrate - I contemplated emptying the refreshingly cold contents of a bottle of Sprite Zero over my overheating and aching head, but I thought of the tourists and figured I shouldn't give them the excuse for another chortle at my expense. I calculated that the journey around the North and South Circulars totalled around fifty-three miles of walking which had taken me into the depths of suburbia, into the forest, along the banks of hidden brooks and through the complex geography of the city. It felt like a strange privilege to be able to make this circuit, and to spend time researching and recording what I'd seen. I often questioned if my records of these walks were ever read by anyone, but figured it didn't matter. I wasn't the first to walk around London, I wouldn't be the last and I had few original insights to impart. But I'd honoured a city with which I've had long and complex dealings by walking around it. For a few moments at least, while my aching feet were forgotten in the thrill of completion, It felt like an entirely sensible thing to do.
I shuffled the short distance to Gunnersbury Station and caught a train, deciding to cross the street and change for the Circle Line back to Paddington when I reached Hammersmith. As I sat on the train, trundling quietly over the rooftops on a viaduct with the sun picking out the yellow London Brick of the rows of houses beneath, I suddenly realised my route would pass the wreckage of Grenfell Tower. As we left Latimer Road station, the blackened view into the lower floors of the block filled the windows of the train, shockingly close to the line. Stripped back to the concrete core on this flank, the gaping windows gave a view entirely through the gutted structure. It was horrible to behold, and terrifying to imagine being within the conflagration. As the line curved to the west and the building slipped slowly into the distance the full horror was revealed, standing like a single dull, dead tooth in the blue sky. I looked around the sparsely filled carriage, but everyone else was busy reading, talking to their fellow travellers or just looking at the floor in the time-honoured way of the Tube. I wondered if I was perhaps the only one who hadn't seen this before? The only one who hadn't had to live with this expression of loss and death above me on my daily comings and going? It was a haunting image - so different to seeing it on the screen and often reduced to a backdrop to a political dialogue - either a timely reminder of inequality or a tragic bandwagon jumped by protesters depending on one's viewpoint. I don't think I'll ever quite forget the sight of the tower, abandoned but still glaringly present in the skyline. It haunted my dreams on the sleepy train ride home, vying with the views of collapsed viaducts in Los Angeles back in 1994 for its utter alienness and unreality. Whatever the outcome of the investigations and discussions which the fire has precipitated, whatever the fate of the officials and trustees who appear to have slalomed around regulations to create the conditions in which this could happen, these events are an exclamation mark in the story of London life. A point for pausing to consider the gravity and complexity of life and death in the city. As a full-stop for a circumambulation of London, it was both fitting and sobering. I hadn't just walked around a landscape or a museum, I'd circuited a living and dying metropolis of diversity and disparity, where eight million souls struggle beside each other. When I'm next asked the question 'why?' I make these walks, perhaps I have the beginnings of an answer...
You can find a gallery of pictures from the walk here.
I've had a home on the web for more years than I care to remember, and a few kind souls persuade me it's worth persisting with keeping it updated. This current incarnation of the site is centred around the blog posts which began back in 1999 as 'the daylog' and continued through my travels and tribulations during the following years.
I don't get out and about nearly as much these days, but I do try to record significant events and trips for posterity. You may also have arrived here by following the trail to my former music blog Songs Heard On Fast Trains. That content is preserved here too.